Lucia Amara graduated in Classics at the University of Florence then earned her Phd from DAMS Bologna in a joint research program with Paris VII, department of Semiology directed by Julia Kristeva. Between 2016 and 2017 she carried out a post-doctoral program at the École des Hautes Études, Paris, developing research on the travels of Aby Warburg and Antonin Artaud to Mexico; in 2017-18 her academic research focused on the concept of a “voice archive” at the Scuola Normale Superiore, Pisa. She is the author of essays on Artaud, de Certeau, Wolfson, Deligny, Starobinski, and a visiting teacher at the Conìa school, directed by Claudia Castellucci in Cesena. At present, she curates the Italian edition of Artaud's Cahiers for the editorial collection Quarta Prosa directed by Giorgio Agamben.
Lucia Amara graduated in Classics at the University of Florence then earned her Phd from DAMS Bologna in a joint research program with Paris VII, department of Semiology directed by Julia Kristeva. Between 2016 and 2017 she carried out a post-doctoral program at the École des Hautes Études, Paris, developing research on the travels of Aby Warburg and Antonin Artaud to Mexico; in 2017-18 her academic research focused on the concept of a “voice archive” at the Scuola Normale Superiore, Pisa. She is the author of essays on Artaud, de Certeau, Wolfson, Deligny, Starobinski, and a visiting teacher at the Conìa school, directed by Claudia Castellucci in Cesena. At present, she curates the Italian edition of Artaud's Cahiers for the editorial collection Quarta Prosa directed by Giorgio Agamben.